Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game is in British and Irish theaters from November 17.
